Sometimes when a person gets a new job
or retires, they come back to spend some time
at the old place. Maybe they’ll work part-time
or they’ll volunteer or just visit friends.
I knew a woman who worked hard and smart
and if you had a problem she solved it.
When she moved on from a job around here
I talked to her before she left and asked
if she would be coming back to visit
or volunteer or take some part-time hours.
She looked at me and when I looked at her
her face didn’t look like faces I see
but it looked like a face I’d imagine
if I were writing a fiction story.
“This place,” she said, and glanced around the room,
“will not see my shadow again. Ever.”
I don’t think I ever saw her shadow
and although I miss her it’s exciting
imagining what her shadow’s up to
because whatever her shadow’s up to
I know it’s not going to out-wit her.
Her face didn’t look like faces I see
but it looked like a face I’d imagine
if I were writing a fiction story.
Lost in shadows, memories of faces
or rather memories of some faces
are like memories of when there was light.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Freedom From The Wild/Lost In Metonymy
The Lost World Of Stacy And The Llama
Anna Kournikova’s Face
A Bird Who Could Fly To Neptune
Jeanne Hébuterne — Art As A Grail
Freedom From The Wild/Lost In Metonymy
The Lost World Of Stacy And The Llama
Anna Kournikova’s Face
A Bird Who Could Fly To Neptune
Jeanne Hébuterne — Art As A Grail
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