Paul Cézanne
“Chestnut Trees at the
Jas de Bouffan in Winter”
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
“Chestnut Trees at the
Jas de Bouffan in Winter”
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
When Cézanne painted the intersection
of tree branches crossing against the sky—
now we can only look and wonder why,
did he know the simple craft direction
of back-to-front, or did his affection
for shapes and colors lead him to defy
common painterly sense—Cézanne would try
to paint each little shape and connection,
like a child in love with the squiggly lines
like a child in love with the shapes they make
like a child in love with treating things right
but an artist, too, who knows real designs
are mysteries workshop painters can’t fake
but real viewers feel, like love at first sight.
of tree branches crossing against the sky—
now we can only look and wonder why,
did he know the simple craft direction
of back-to-front, or did his affection
for shapes and colors lead him to defy
common painterly sense—Cézanne would try
to paint each little shape and connection,
like a child in love with the squiggly lines
like a child in love with the shapes they make
like a child in love with treating things right
but an artist, too, who knows real designs
are mysteries workshop painters can’t fake
but real viewers feel, like love at first sight.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Christmas And Trees #1: Empty Lot Trees
Merry Christmas!
Christmas And Trees #1: Empty Lot Trees
Merry Christmas!
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